Charlie Mills ☺️

︎ ︎

Writing

Upcoming
TJ Boulting Gallery, 2021

Upcoming
Harlesden High Street, 2021

Upcoming
Quench Gallery, 2021

Interview
Elsa Rouy
Coeval Magazine, 2021

Interview
Ana Meisel, External Pages
Coeval Magazine, 2021

Catalogue Essay
‘Raving Without Nature’ in Elliot Fox: Idol Hands
Foolscap Editions, 2020

Exhibition Text
Marie Jacotey: Blue Fear
Hannah Barry Gallery, 2020

Exhibition Text
Crowd
Hannah Barry Gallery, 2020

Catalogue Essay
‘Inside Neptune’s Lair’ in Bubble Chamber
Gentrified Underground, 2020

Exhibition Text
A Land of Incomparable Beauty
Collective Ending HQ, 2020

Exhibition Text
Lydia Blakeley: Looks like you’ve reached the end
Hannah Barry Gallery, 2020

Exhibition Text
Alia Hamoui: Springboard
Camberwell College of Arts, 2019

Exhibition Text
Fiction
Bold Tendencies, 2019

Exhibition Text
James Capper: WAYS TO MAKE A SHIP WALK
Hannah Barry Gallery, 2019

Catalogue Essay
‘Dreaming on Foot’ in Henry Hudson: nothing sticks to nothing
Hannah Barry Gallery, 2019

Catalogue Essay
‘The Matter of Memory’ in Simon Linington: La La Land
William Bennington Gallery, 2019

Exhibition Text
ABSINTHE
Collective Ending, 2019

Catalogue Essay
‘The Precarity of Desire’ in George Rouy: Squeeze Hard Enough It Might Just Pop!
Hannah Barry Gallery, 2018

Exhibition Text
‘Rave as Ecology: Plugging in’ in Being in the Body
The School of the Damned, 2018

Catalogue Essay
‘Technological Disobedience’ in Slap Dash for No Cash
Elam Publishing, 2018

Interview
‘Victoria Grant: Beyond the Veil’
HIX Magazine, 2019

Catalogue Essay
‘Metal: a Life’ in James Balmforth: CASS Sculpture Park
Unpublished, 2018

Exhibition Text
Ecology
Bold Tendencies, 2018

Review
‘Gullet at Cell Project Space, by Julia Crabtree & William Evans’
Saatchi Art & Music Magazine, 2018

Interview
‘Natasha Arselan: AucArt’
Saatchi Art & Music Magazine, 2018

Feature
‘Vejdi Rashidov’
Saatchi Art & Music Magazine, 2018

Exhibition Text
Felix Treadwell & Lewis Henderson: Floored
Camberwell College of Arts, 2018

Feature
‘HIX Award Feature: Sam Bailey’
HIX Magazine, 2018

Review
‘Slippage at The Post_Institute’
ArteViste, 2018

Feature
‘Rave as Ecology: Plugging in’
Berfrois Magazine, 2018

Exhibition Text
The Unlimited Dream Company
Hannah Barry Gallery, 2017

Feature
‘Femke Herregraven: How much of capitalism can we see from the moon?’
Feral Horses, 2017

Review
‘Zhongguo 2185 at Sadie Coles HQ’
Feral Horses, 2017

Feature
‘Jenna Sutela: Becoming-Other, Becoming-Slime’
Feral Horses, 2017

Exhibition Text
Thomas Greig & Lewis Henderson: Any More?
Limbo Limbo, 2017

Feature
‘How to Maximise your Aesthetic Capital: Artist Start Ups’
Feral Horses, 2017

Feature
‘Biometrics, Phenotypes and Hong Kong Cleanup’
Feral Horses, 2017

Feature
‘Ryoji Ikeda: An Experiment in the Sonic Aesthetics of Data’
Feral Horses, 2017

Exhibition Text
Lewis Henderson: Vevo, Fuck You
B.A.E.S., 2016

Interview
Mark Fisher: Accelerationist Aesthetics
Unpublished, 2016

Interview
Susan Collis: Old Rope
Nu Magazine, 2015

Interview
Jo Dennis & Dido Hallett: Asylum Projects SLAM Magazine, 2014

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